Kristoffer Bogli’s dark comedy appears to be a commentary on the fickle nature of modern celebrity, but also betrays a lurking paranoia towards cancel culture.
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The latest from visionary filmmaker Ari Aster draws a parallel between familial abuse and the hysterical effects induced from living in a world shaped by corporate monopolies.
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Hal Ashby’s 1979 dark comedy locates a dormant conservatism in the American consciousness.
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