The exquisite latest work from writer-director Andrew Haigh embodies the best in what queer commercial filmmaking might offer.
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Writer-director Justine Triet’s psychological mystery is a meditation on our cultural predilection for interpreting women’s agency as deviant or offensive.
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Andrea Pallaoro directs the magnetic Trace Lysette in a ravishing family drama that is both stylish and homey, if occasionally gratuitous.
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A.V. Rockwell's feature debut is a refreshing, romantic yet unsentimental story about one woman’s fight to raise her son in turn-of-the-millennium Harlem.
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Writer-director Davy Chou’s portrait of a Korea-born Frenchwoman’s fitful struggle to place herself elides any true impression of angst, discomfort, or urgency.
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An Irish drama about a reserved young girl who spends a summer with distant relatives, The Quiet Girl is directed by Colm Bairéad with intimate specificity.
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The 1979 Best Picture-winning family drama offers a fascinating diagnosis of contemporary gender expectations.
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Charlotte Wells’ debut about a father and daughter on holiday is a work of profound tenderness that hiccups with lumbering artiness.
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From kung fu action scenes to hot dog finger fights, the Daniels’ latest foray into a character’s splintered psyche is as audacious as it is contrived.
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