Bradley Cooper’s biopic of Leonard Bernstein is a coup of a performance that ultimately acquiesces to its subject’s overblown ego.
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The directorial debut of Frances O’Connor is an engrossing fictionalized portrait of the woman who wrote Wuthering Heights.
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The King of Rock-n-Roll is positioned as an exploited cultural dissident in director Baz Luhrmann’s sweeping new biopic.
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With the mismatched writer-director team of Aaron Sorkin and Danny Boyle at its helm, Steve Jobs is an example of how rushing to tell a story can isolate a subject from its proper artistic realization.
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