James Cameron’s sequel to his 2009 juggernaut is a dizzying spectacle that works in the best — and worst — traditions of American cinema.
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The King of Rock-n-Roll is positioned as an exploited cultural dissident in director Baz Luhrmann’s sweeping new biopic.
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Despite tender direction from Sofia Coppola, Lost in Translation bolsters its May-November romance with feeble stereotyping of Japanese people and culture.
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